A Caster-class Servant.
A young man with long white hair, draped in a black robe and holding an ominous staff.
He refers to himself as “Watashi” and speaks in an overly formal tone, brimming with intellectual curiosity.
His favorite food is Spanish cuisine, and his hobby is reading other people’s palms.

Michael Scott was a medieval European astronomer and astrologer, born in Scotland and active at the Spanish court.
However, some scholars disapproved of his attitude—absorbing even pagan knowledge beyond the boundaries of faith—and denounced him as a “black magician.”
After his death, for reasons unknown, his reputation as a practitioner of black magic grew increasingly exaggerated through oral tradition.
The legends surrounding him included such outlandish tales as defeating demons to gain prophetic powers, summoning spirits, turning the evil witch Long Meg and her daughters to stone, and splitting the great hill known as Airdon Hill into three parts—all utterly fantastical.
In particular, the widespread image of Michael Scott as a black magician is said to have been greatly influenced by Dante Alighieri’s Divine Comedy. In the Inferno section of the poem, Michael Scott appears as an evil black magician condemned to Hell.

Thanks to the Innocent Monster skill, his attire has taken on the grandiose, ominous appearance typical of black magicians in dark fantasy works.
He harbors a one-sided grudge against Dante Alighieri, who helped cement this mistaken image of him in the public mind.

Ideally, he’d want to beat up Dante on the spot upon meeting him, but he is an astronomer. He cannot help but marvel at the beautiful depictions of the stars in the Divine Comedy, and he acknowledges Dante Alighieri’s sensibility as a poet.
Thus, despite his resentment, he finds himself unable to truly hate him—a complicated relationship indeed.

In battle, he wields necromantic powers, summoning spirits and unleashing dark flames and lightning, embodying the classic black magician archetype.

His Noble Phantasm is “O Sacred Hill, Split into Three (Broken Airdon Hill).”
This terrain‑specific Noble Phantasm is a glorified version of the later legend that “when the black magician Michael waved his staff, the hill split into three.”

A Servant of the Pretender Class.
A young man with black hair tinged with red.
He refers to himself as “I.”
His distinctive traits are a strangely seductive tone of voice and an impish, sly laugh—“Huh-huh…”—before he speaks.
Dante speaks in a light, modern‑style tone, much like a contemporary youth.
His favorite cuisine is Italian.

Dante Alighieri was a renowned poet, philosopher, writer, and politician of medieval Italy. He is the author of the epic poem The Divine Comedy, which exerted a profound influence on medieval European literature and laid the foundations for the Renaissance.

Despite his suspicious, somewhat shady demeanor that hints at hidden motives, his true personality is timid, cautious, and marked by a strong tendency toward innocent silliness. His enigmatic smiles are basically just a way to buy time while he thinks about what to say—and over time, this has apparently become his natural way of speaking.
Though somewhat emotionally unstable, he nonetheless retains his innate calmness and kindness, and deeply dislikes seeing misfortune or tragedy befall others. In short, apart from his literary talent, he’s just an ordinary older brother who happens to be rather cowardly.

In battle, he primarily commands infernal creatures from The Divine Comedy—such as Cerberus, centaurs, and harpies—and can also engage in close‑quarters combat using the “Seven Sins’ Sealing Sword.”

His Noble Phantasm is “You, who pass through this gate, abandon all hope (Lasciate Ogni Speranza, Voi Ch’Entrate).”
It is a counter‑world Noble Phantasm: the most famous object in The Divine Comedy—the Gates of Hell—and the embodiment of hell beyond them. From the opened gates, countless demonic beasts surge forth amid the flames of hell, their torrential flood sweeping away every enemy and reducing them to ashes without a trace.