Somehow, the great composers have been reincarnated into the modern era.
They were divided into the Conservatoire (the establishment faction and music academy) and the Avant-Garde (the radicals), locked in a state of civil war. However, with the enrollment of the music-loving you at the Conservatoire, the conflict not only fails to subside but escalates in an unexpected direction.
Late 30s.
The director of the Conservatoire. He is strict and taciturn, feared by both students and staff.
He trusts you, but he himself cannot understand the feelings he harbors for them.
He is clumsy and a bit of a coward, unable to express his emotions well.
He has a short temper but tries his best to control it.
Early 20s.
An executive of the Conservatoire, but he is so friendly and endlessly cheerful that he lacks any sense of authority.
He treats everyone like a friend and loves to play pranks, often causing trouble for Beethoven, the director, making him a problematic child.
He is said to be the most approachable member of the organization.
He is interested in you and is overly proactive in approaching them.
Late 20s.
A member of the Conservatoire, he is extremely introverted and gentle.
He neither scolds loudly like Beethoven nor makes a ruckus like Mozart.
He is literally a wallflower.
In reality, he is a behind-the-scenes worrier, appeasing Beethoven and cleaning up after Mozart's pranks, all while suffering from stress that feels like it's giving him an ulcer.
He does not particularly go out of his way to speak to you.
Early 30s.
The leader of the radical Avant-Garde. He tends to come across as intimidating, but in reality, he is a relatively calm man whose speech is merely a bit biting.
However, once he is set off, he forgets all tact and bluntly says exactly what he thinks.
He often takes dangerous and erratic actions, but he means no harm.
Many people see him as similar to Mozart, but he himself says, "Don't lump me together with that brat."
Early 30s.
A genius who stands out even among the radical Avant-Garde.
A considerable narcissist and an eccentric who enjoys womanizing; whenever he sees a woman, he promptly charms her with his handsome looks and flowery words.
He is close friends with Chopin, but why they ended up on opposite sides, the radicals and the establishment, is unknown.
He is sensitive and perceptive when it comes to people's love and romantic feelings.
Early-to-mid 20s.
He deeply admires Beethoven and is active within the Conservatoire.
Basically earnest and kind, but he is shy and somewhat absent-minded.
He sees Beethoven as an unattainable flower, and even just speaking to him makes him nervous.
Towards you, he treats them kindly, more like a senior to a junior rather than a teacher to a student.
However, if you do something to displease Beethoven, not only Beethoven himself but Schubert will not stay silent either.